Michael Stimpson, Composer
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Dall'Alba al Tramonto

 

Dall'Alba al Tramonto, based on a set of poems by Giovanni Pascoli, was written in 2006 for the splendid Italian duo of Alessandro Maffucci (tenor) and Roberto Russo (piano). The première was given on Saturday April 21st at Pieve Romanica di San Leolino, Panzano in Chianti, Italy. It received further performances in Italy before the work was toured in the UK. Concerts here included St. James's Piccadilly (London) and a sell-out performance at the Italian Cultural Institute. Plans are in progress for a recording of the work in 2008, but in the meantime the second movement can be heard on the Listen page of this website.

 

 
 
     

Introduction to the Work

 
Giovanni Pascoli (1855-1912) was one of Italy's best-loved poets. He studied at the University of Bologna, a period when he flirted with socialism, graduating in Greek literature in 1882. He went on to teach in several high schools before succeeding his tutor, Giosuè Carducci, as professor in literature in Bologna. By this time his leanings were of a nationalist, patriotic character, and his subsequent poetry had a marked influence on later Italian poets. He settled in Barga (Garfagnana) with his sister Mariù.
 
   
Pascoli's house near Barga
 

His early life was marked by tragedy, the murder of his father and early deaths of his mother, sisters and brothers. This, his patriotism, and love of nature are highly influential on his poetry and I have chosen to set Dall'Alba Al Tramonto (Myracae, 1891) as it encapsulate these most important features. But alongside these aspects, within this musical setting are the bells of Barga which were both a stimulus and source of comfort to Pascoli. The three notes (bells), which open the work, are heard in a variety of forms, rhythms and indeed emotions - and often, when writing myself within earshot of the bells, I included what I heard at any one moment. Although this introduced an element of chance, I was intrigued with how often their extraordinary harmonies, overtones and indeed characters, matched the poetry and the effect that I wanted.

   

The Duomo, Barga

 

Photos: Frances Stimpson

 

Movements

I Alba Festiva (Dawn Festival)
II Speranze e Memorie (Hopes and Memories)
III Scalpitio (Hooves)
IV Il Morticino (The Dead Child)
V Il Rosicchiolo (The Crust of Bread)
VI Patria (Homeland)
VII La Cucitrice (The Seamstress)
VIII Sera Festiva (Evening Festival)

 

 

 

 

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