Michael Stimpson, Composer
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WORK
SCORING
PERFORMERS
NOTES
A Walk Into War Tenor and piano quintet Allegri String Quartet, Paul Agnew (tenor), Daniel Tong (piano) Words: Laurie Lee. Close of 1st Movement when Laurie Lee first sees the spire of Salisbury Cathedral
Concerto for Oboe. Oboe and Orchestra John Anderson (oboe), Conductor Ross Pople, London Festival Orchestra. Premièred at the QEH, close of 2nd Movement.
Dall'Alba al Tramonto Tenor and piano

Alessandro Maffucci (tenor)

Roberto Russo (piano).

Words by Italian poet, Giovanni Pascoli. Second Movement, Speranze e Memorie (Hopes and Memories)
Dylan Baritone and harp

Roderick Williams (baritone)

Sioned Williams (harp)

Words by Dylan Thomas. A spoken and sung account of his life. Extract from Second Movement, Genesis

Faulstone Hollow

Violin and piano

Mifune Tsuji (violin)

Kyoko Hashimoto (piano)

Faulstone Hollow is a site in the Chalke Valley. 1st Movement of this four-movement work
Five Miniatures Guitar Dave Stinchcombe (guitar) Published by OUP, Miniature 4

Sonata for Piano Trio

Violin, cello and piano Dussek Piano Trio First performed in the Purcell Room in 1997. Opening of 1st Movement.
Songs of Innocence and Experience Unaccompanied choir Exmoor Singers of London, conductor James Jarvis. Written to commemorate the 250th anniversary of the birth of William Blake. First and last movements.
String Quartet No. 1, Robben Island String Quartet Allegri String Quartet This 6 movement work is based on the notorious but beautiful island in South Africa. Extract from the 5th movement - Majestically: Joyous.
The Angry Garden Soli, choir and orchestra English Concert Singers and Orchestra, conductor Roy Wales, William Berger (baritone) First performed in support of the World Wildlife Fund, the work is based on the issue of global warming. Words by Simon Rae. Extract from Second Movement - Eden:Lightly/Richly.
Three Variants on a Blue Violin and piano

Peter Fisher (violin)

Nadia Lasserson (piano)

This work takes the 12-bar blues as the basis of its form. This extract is from Variant 1.

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